I don’t wear only one hat.
Cinema is a beautiful world where every department is connected and in that arena I enjoy being a creative and a utility guy.
Composing, orchestrating, arranging, playing, you name it.
And if there’s a sunny room with big windows and loads of coffee involved, I might just never leave.

After a decade of playing guitar and recording studio albums, in 2010 I started scoring my first short-films for students of the London Film Academy.

In the advertising world, I got to work with corporate brands such as Sonicbrand, Fluxx Milano, Ferrari, Sizzer and more.


In the game’s world, I have composed music for a bunch of Electrical Eagle games, creating a palette of orchestral and hybrid material for epic and horror settings. I also produced the music for Pepe’s Game, a cross-chain platform that gamifies options trading.

On the film-making side, a few highlights are A Cup of Coffee with Marilyn, directed by Alessandra Gonnella (co-scored with Italian pop act Francesca Michielin). That score won best original soundtrack at Cortinametraggio Festival, awarded by Universal Music Publishing Group. The short was also awarded Nastro D’Argento 2020.

Il Cercatore d’Infinito, directed by Federico Massa and Andrea Azzetti, winner of the Log to Green Award at the 77th Venice Film Festival.

Carnation, directed by Aya Bassiouni, winner of several prizes at the Indie Shorts Awards at Cannes Film Festival 2021 and New York Indie Shorts 2022.

I am also currently composing music for a children animation series in development at WordPlay Media (UK) and I have had the privilege of scoring music for the International Agency for Research on Cancer, a branch of the WHO.

Lastly, some of my tracks are featured in the BMG production music catalog that provides placements for streaming services such as Netlifx, Prime video, Disney+ and more.

My educational path brought me to wander the hallways of fine institutions such as Conservatorio Venezze di Rovigo, Scuola Nazionale di Cinema di Roma, London Film Academy, Hollywood Music Workshop and the Institute of Contemporary Music and Performance of London.

On top of all that, I still enjoy playing my guitars as a session player and producing music under my alias Tommeh.